Writing historical fiction in New Kingdom Egypt

By Colleen Manassa

The origins of Egyptian literary fiction can be found in the rollicking adventure tales and sober instructional texts of the early second millennium BCE. Tales such as the Story of Sinuhe, one of the classics of Egyptian literature, enjoyed a robust readership throughout the second millennium BCE as Egypt transitioned politically from the strongly centralized state of the Middle Kingdom and through the political changes, population movements, and strife of the Second Intermediate Period into the imperial glories of the New Kingdom (1550-1070 BCE). During the New Kingdom, particularly the Nineteenth and Twentieth Dynasties, the “Ramesside Period,” another literary efflorescence occurred. Among the genres of this new corpus of literary productions are stories that can be most properly described as works of “historical fiction.” Set in the past with attested historical characters, these works of historical fiction are an ancient Egyptian counterpart, albeit ultimately unrelated, to the mammoth corpus of modern historical fiction from Sir Walter Scott, Patrick O’Brien, and George McDonald Frasier to Ken Follett and Philippa Gregory.

Historical fiction in New Kingdom Egypt has never been identified as its own genre, but in identifying it as such, stories that represent this period in history are brought to life. Ancient evidence used to resurrect the plots and characters range from straightforward archaeological excavation to a diverse array of historical texts to an actual royal mummy, whose violent death portends the ending of one tale.