By Owen Jarus, Live Science Contributor | March 13, 2014
Cleopatra VII, often simply called “Cleopatra,” was the last of a series of rulers called the Ptolemies who ruled Egypt for nearly 300 years. She was also the last true pharaoh of Egypt. Cleopatra ruled an empire that included Egypt, Cyprus, part of modern-day Libya and other territories in the Middle East.
Modern-day depictions of her tend to depict a woman of great physical beauty and seductive skills — indeed, her romantic involvements with Julius Caesar and Mark Antony have been immortalized in art, music and literature for centuries. However, a number of ancient records, as well as recent historical research, tell a different story. Rather than some sort of sex kitten, they tell of an intelligent, multilingual, female ruler who affirmed her right to rule Egypt and other territories.
Her “own beauty, as they say, was not, in and of itself, completely incomparable, nor was it the sort that would astound those who saw her; but interaction with her was captivating, and her appearance, along with her persuasiveness in discussion and her character that accompanied every interchange, was stimulating,” wrote Plutarch, a philosopher who lived A.D. 46-120 (Translation by Prudence Jones).
“Cleopatra was no mere sexual predator, and certainly no plaything of Caesar,” writes Erich Gruen, a professor emeritus of history at University of California Berkeley, in an article in the book “Cleopatra: A Sphinx Revisited” (University of California Press, 2011).
“She was queen of Egypt, Cyrene and Cyprus, heir to the long and proud dynasty of the Ptolemies … a passionate but also very astute woman who had maneuvered Rome – and would maneuver Rome again – into advancing the interests of the Ptolematic legacy.”
Showing posts with label Caesarion. Show all posts
Showing posts with label Caesarion. Show all posts
Tuesday, March 18, 2014
Friday, January 17, 2014
Cleopatra: Rome and the Magic of Egypt
Dalu Jones visits an intriguing new exhibition investigating the captivating effects that Cleopatra and Ancient Egyptian culture had on the Romans
Cleopatra VII, the last queen of Egypt (69-30 BC), has recently returned to Rome as
the inspiration for an exhibition entitled Cleopatra: Rome and the Magic of Egypt. Major museums and galleries worldwide have lent almost 200 works of art to this show celebrating a woman whose appeal and influence remain undiminished even now, 2000 years after her death.
These include the 'Nahman Cleopatra', a marble head (circa 33-30 BC), on show in Italy for the first time. The portrait, which is still in private hands, takes its name from Maurice Nahman (1868-1948), the most famous of Cairo's antique dealers and collectors in pre-Nasser Egypt.
The 'Nahman Cleopatra' resembles another head dating from the second half of the 1st century BC, from the Vatican Museums, which is also on view here (circa 45 BC), one of the few portraits thought by scholars to really represent the queen. Found in 1784 at the Villa dei Quintilii on the Via Appia, the young woman wears the royal diadem, a broad band of cloth tied around the head (first adopted by Alexander the Great) that came to symbolise Hellenistic kingship.
Both heads may be Roman copies, in marble, of the lost, gilded bronze statue of Cleopatra given by Julius Caesar to the Temple of Venus Genetrix, while she was living in Rome from 46 to 44 BC. Another marble head found in Rome, on the Via Labicana, may be a portrait of Cleopatra in her youth, represented in the guise of the goddess Isis and dating from the 2nd or 1st century BC. The likeness of Cleopatra shown on coins does not do her justice. Men found her extremely attractive, although she may not have been a great beauty in the conventional sense but probably a highly intelligent jolie-laide whose allure was derived from her elegant bearing, notable wit, regal status and undoubted political savoir faire.
Representing the queen's illustrious Macedonian ancestry there is the 'Guimet Alexander', a masterpiece of Hellenistic sculpture from the Louvre. Alexander the Great was the founder of Alexandria, where he was reputedly buried by Ptolemy Soter I (circa 367 BC-circa 283 BC), one of his generals, the initiator in 305 BC of the Ptolemaic dynasty that ended with Cleopatra's death in 30 BC. Cleopatra's lovers Julius Caesar (100-44 BC) and Mark Antony (83-30 BC) are also represented, as is Caesarion (47-30 BC), her son by Julius Caesar, who became Ptolemy XV.
Cleopatra VII, the last queen of Egypt (69-30 BC), has recently returned to Rome as
the inspiration for an exhibition entitled Cleopatra: Rome and the Magic of Egypt. Major museums and galleries worldwide have lent almost 200 works of art to this show celebrating a woman whose appeal and influence remain undiminished even now, 2000 years after her death.
These include the 'Nahman Cleopatra', a marble head (circa 33-30 BC), on show in Italy for the first time. The portrait, which is still in private hands, takes its name from Maurice Nahman (1868-1948), the most famous of Cairo's antique dealers and collectors in pre-Nasser Egypt.
The 'Nahman Cleopatra' resembles another head dating from the second half of the 1st century BC, from the Vatican Museums, which is also on view here (circa 45 BC), one of the few portraits thought by scholars to really represent the queen. Found in 1784 at the Villa dei Quintilii on the Via Appia, the young woman wears the royal diadem, a broad band of cloth tied around the head (first adopted by Alexander the Great) that came to symbolise Hellenistic kingship.
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Photograph: Musei Vaticani |
Both heads may be Roman copies, in marble, of the lost, gilded bronze statue of Cleopatra given by Julius Caesar to the Temple of Venus Genetrix, while she was living in Rome from 46 to 44 BC. Another marble head found in Rome, on the Via Labicana, may be a portrait of Cleopatra in her youth, represented in the guise of the goddess Isis and dating from the 2nd or 1st century BC. The likeness of Cleopatra shown on coins does not do her justice. Men found her extremely attractive, although she may not have been a great beauty in the conventional sense but probably a highly intelligent jolie-laide whose allure was derived from her elegant bearing, notable wit, regal status and undoubted political savoir faire.
Representing the queen's illustrious Macedonian ancestry there is the 'Guimet Alexander', a masterpiece of Hellenistic sculpture from the Louvre. Alexander the Great was the founder of Alexandria, where he was reputedly buried by Ptolemy Soter I (circa 367 BC-circa 283 BC), one of his generals, the initiator in 305 BC of the Ptolemaic dynasty that ended with Cleopatra's death in 30 BC. Cleopatra's lovers Julius Caesar (100-44 BC) and Mark Antony (83-30 BC) are also represented, as is Caesarion (47-30 BC), her son by Julius Caesar, who became Ptolemy XV.
Labels:
Caesarion,
Cleopatra VII,
Goddess,
Hellenism,
Isis,
Julius Caesar,
Mark Anthony,
Museums and Exhibitions,
Romans,
Rome
Saturday, April 21, 2012
Cleopatra and Antony's children rediscoverd
Analysis by Rossella Lorenzi
Cleopatra's twin babies now have a face. An Italian Egyptologist has rediscovered a sculpture of Alexander Helios and Cleopatra Selene, the offspring of Mark Antony and Cleopatra VII, at the Egyptian museum in Cairo.
Discovered in 1918 near the temple of Dendera on the west bank of the Nile, the sandstone statue was acquired by the Egyptian Museum in Cairo but has remained largely overlooked.
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Credit: Giuseppina Capriotti.
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The back of the the 33-foot sculpture, catalogued as JE 46278 at the Egyptian museum, features some engraved stars -- likely indicating that the stone was originally part of a ceiling. Overall, the rest of the statue appears to be quite unusual.
"It shows two naked children, one male and one female, of identical size standing within the coils of two snakes. Each figure has an arm over the other’s shoulder, while the other hand grasps a serpent," Giuseppina Capriotti, an Egyptologist at the Italy's National Research Council, told Discovery News.
The researcher identified the children as Alexander Helios and Cleopatra Selene, Antony and Cleopatra's twins, following a detailed stylistic and iconographic analysis published by the Polish Centre of Mediterranean Archaeology at the University of Warsaw.
Capriotti noticed that the boy has a sun-disc on his head, while the girl boast a crescent and a lunar disc. The serpents, perhaps two cobras, would also be different forms of sun and moon, she said. Both discs are decorated with the udjat-eye, also called the eye of Horus, a common symbol in Egyptian art.
Labels:
Alexander Helios,
Art,
Caesarion,
Cleopatra Selene,
Cleopatra VII,
Mark Anthony,
Ptolemaic Period,
Ptolemy Philadelphus
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