Museum Pieces - Kneeling Amenhotep III as the god Neferhotep

Kneeling Amenhotep III as the god Neferhotep

Photocredit: Museum of Fine Arts, Boston

DIMENSIONS
Height x width x depth: 13 x 3.8 x 5.3 cm (5 1/8 x 1 1/2 x 2 1/16 in.)

MEDIUM
Glazed steatite

CLASSIFICATION
Sculpture

ACCESSION NUMBER
1970.636

PERIOD
1390–1352 B.C.

There is more to this charming statuette of Amenhotep III than meets the eye. The king is wide-eyed, innocent-looking, and decidedly chubby, his bare chest revealing his baby fat. But despite his youthful appearance, Amenhotep III was no child when this statue was created, for it is one of a number of closely related statuettes made in celebration of the king's thirty-year jubilee. Thirty years symbolized a generation, and during the celebration of the jubilee, the king was born again. Amenhotep III would have been at least in his forties at the time, but he appears as a child in token of his spiritual rebirth. The inscription on the back of the statuette calls Amenhotep III, "the son of Isis, who dwells in Edfu," so presumably the figure was placed in the temple of Edfu as an offering to Isis. True to his name, the king kneels to present an offering, now lost, to his mother.

The statuette's distinctive headdress - a round curly wig with uraeus, surmounted by the Double Crown of Upper and Lower Egypt - identifies the ruler with the child god Neferhotep. The crowns were meant to confer stability, while implicit in any child god is the prospect of a new beginning full of promise. The statuette is thus a visual pun, and even the color added to its symbolism. Originally, the figure was glazed a lustrous blue-green, now almost entirely worn away. In ancient Egypt as today, to be green meant to be young; in ancient Egyptian, the words for "green" and "to be young," renput and renpy, had the same root. Additional meaning is provided by the word for glazed material, tjehenet, "dazzling, luminous," which was also applied to sunlight, and by extension, to gold. In this image of himself as the child god Neferhotep, Amenhotep III - who liked to call himself the "dazzling sun-disk of all lands" - found the perfect form of self-expression.

Source: http://www.mfa.org/node/9457

The sun in their eyes

In ancient Egypt the sun was revered as the giver of life and, in reflection of the waning and waxing of the sun, death and resurrection were the central theme of sun worship.
Jenny Jobbins continues her look at ancient beliefs and their relevance today

The late Christopher Hitchens is often quoted as saying: “Owners of dogs will have noticed that, if you provide them with food and water and shelter and affection, they will think you are god. Whereas owners of cats are compelled to realise that, if you provide them with food and water and shelter and affection, they draw the conclusion that they are gods.”

In regard to the beliefs of the ancient Egyptians, two corollaries may be drawn from this tongue-in-cheek observation. First, the ancient Egyptians were among several ancient civilisations who understood that the sun was the bringer of night and day and governor of the seasons that sustained the crops on which all living things depended, and so for much of their history they regarded it as their chief deity. Second, they lavished tributes and attention on the one they regarded as the deity’s representative on Earth, their king, and it was just as a matter of course that he (and his people) believed that he, too, was a god — indeed, a sun god.


It is all too easy, however, to draw a modern picture of events played out thousands of years ago, and archaeologists tread very cautiously when fitting together the jigsaw of the past. They are continuously questioning and updating evidence about our ancestors and their beliefs. In regards to Egypt, scientists are unable to say for certain how far back in time sun worship was adopted, or whether it developed separately there or was part of a cult spread more widely across North Africa that found its way to the Nile Valley with new settlers in predynastic times.

Religion in the Lives of the Ancient Egyptians

by Emily Teeter & Douglas J. Brewer

Because the role of religion in Euro-American culture differs so greatly from that in ancient Egypt, it is difficult to fully appreciate its significance in everyday Egyptian life. In Egypt, religion and life were so interwoven that it would have been impossible to be agnostic. Astronomy, medicine, geography, agriculture, art, and civil law--virtually every aspect of Egyptian culture and civilization--were manifestations of religious beliefs.

Most aspects of Egyptian religion can be traced to the people's observation of the environment. Fundamental was the love of sunlight, the solar cycle and the comfort brought by the regular rhythms of nature, and the agricultural cycle surrounding the rise and fall of the Nile. Egyptian theology attempted, above all else, to explain these cosmic phenomena, incomprehensible to humans, by means of a series of understandable metaphors based upon natural cycles and understandable experiences. Hence, the movement of the sun across the sky was represented by images of the sun in his celestial boat crossing the vault of heaven or of the sun flying over the sky in the form of a scarab beetle. Similarly, the concept of death was transformed from the cessation of life into a mirror image of life wherein the deceased had the same material requirements and desires.

Origins and nature of the gods

It is almost impossible to enumerate the gods of the Egyptians, for individual deities could temporarily merge with each other to form syncretistic gods (Amun-Re, Re-Harakhty, Ptah-Sokar, etc.) who combined elements of the individual gods. A single god might also splinter into a multiplicity of forms (Amun-em-Opet, Amun-Ka-Mutef, Amun of Ipet-swt), each of whom had an independent cult and role. Unlike the gods of the Graeco-Roman world, most Egyptian gods had no definite attributes. For example, Amun, one of the most prominent deities of the New Kingdom and Late Period, is vaguely referred to in secondary literature as the "state god" because his powers were so widespread and encompassing as to be indefinable.

To a great extent, gods were patterned after humans--they were born, some died (and were reborn), and they fought amongst themselves. Yet as much as the gods' behavior resembled human behavior, they were immortal and always superior to humans.

Heb Sed, The Ritual Jubilee

Introduction

Off all the many ancient Egyptian festivals, local as well as nationwide, there was one which differed quite a bit from the rest. While they all were aimed at the relationship between the gods, the king and the people, the Heb Sed was more directly focussed around the kingship as such and its complete renewal.

The name Heb Sed, also known as The Sed festival or Feast of the Tail, derives from the name of an Egyptian wolf god, one of whose names was Wepwawet or Sed. The less formal feast name, the Feast of the Tail, is derived from the name of the animal's tail that typically was attached to the back of the pharaoh's garment in the early periods of Egyptian history. This suggests that the tail was the vestige of a previous ceremonial robe made out of a complete animal skin.

A Heb Sed was first held during the 30th regnal year of a pharaoh, and from then on, every three years, but several pharaohs however, held their first Heb Sed at a much earlier date: Hatshepsut held her first jubilee during her 16th regnal year, while Amenhotep IV/Akhenaten chose to dedicate his festival to his solar-god Aten at the early beginnings of his reign. Ramesses II often left two instead of three years between his Heb Seds, he was able to celebrate 14 such jubilees during his 67 years of reign.