Passing on

The funeral rituals of ancient Egypt and the belief in celestial resurrection have bequeathed an unusual legacy and an essential artistic record for their descendants and for scholars.
Jenny Jobbins shows that although times changed, many of the old funeral customs lingered on

The painting in the Theban Valley of the Nobles, on the south wall of the tomb of Ramose, a governor of Thebes and vizier during the reigns of Amenophis III and Amenophis IV in the 18th Dynasty, shows a group of female mourners wailing in lamentation. Other images of funeral processions show mourners waving palm branches. Palms — a symbol of longevity, rebirth and the afterlife — have long been associated with death. They were cast before Christ as he entered Jerusalem to be tried and crucified, and they are still placed on graves in Egypt, where they are said to bring a blessing on the grave.

Many years ago I discussed this rich heritage with the Egyptologist Kamal Al-Mallakh, who referred to the Mosque of Abu Haggag within the walls of Luxor Temple and the similarity of the events at his moulid (saint’s day), when a model of his boat is ceremoniously carried through the streets of Luxor, to the ancient Feast of Opet when Amun’s sacred boat was carried from Karnak to Luxor Temple. He told me: “There has to be some significance. Isn’t [Abu Haggag’s] mosque right there in the temple? And some of the rights at his moulid are purely pharaonic.”