Bryn Mawr Classical Review 2015.02.27
Colleen Manassa, Imagining the Past: Historical Fiction in New Kingdom Egypt. Oxford; New York: Oxford University Press, 2013. Pp. xxviii, 339. ISBN 9780199982226.
Reviewed by Nikolaos Lazaridis, California State University, Sacramento
Colleen Manassa, the William K. and Marilyn M. Simpson Associate Professor of Egyptology at Yale University, has demonstrated in her publications over the past decade a remarkable breadth of research interests and scholarly skills. In this latest monograph she revisits four previously published New Kingdom texts, exploring their themes, form, language, and scope, and considering them as fair representatives of ancient Egyptian historical fiction. These texts are: the Quarrel of Apepi and Seqenenre, the Capture of Joppa, Thutmose III in Asia, and the Libyan Battle Story. Her study is thorough, well-written, and multi-layered; it may serve not only as these texts’ proper introduction for an audience not familiar with them, such as students or non-Egyptologists, but also as a well-rounded reconsideration of these texts’ reconstruction and interpretation for experts.
The four central chapters constitute her text-by-text analysis. These are preceded by an introduction to Egyptian historical fiction and its important interconnections to other Egyptian genres of writing and are followed by a short final chapter where the author summarizes the results of her analysis and treats them as defining features of this genre.
In Chapter 1 the author first discusses her definition of historical fiction as “narrative in which a process of historical events is itself an actor within the plot and whose characters are directly and repeatedly influenced by those events” (p. 3).1 Then she proceeds to introduce the four tales, relating their production and circulation to the intellectual context of Egypt’s temple and scribal cultures and stressing their dynamic intertextuality with earlier and contemporary historical narratives. Next, the author engages with Mikhail Bakhtin’s famous “chronotope”, arguing that these tales’ particular treatment of spatiotemporal aspects distinguishes them from other types of Egyptian narrative. Finally, the author briefly discusses the tales’ “paratextual elements”, pointing out, among other things, that their mixed Late Egyptian and Middle Egyptian grammar could be taken as an additional sign of their fictionality, and that possibly the tales’ transmission followed parallel oral and written paths.
Showing posts with label Literature and Texts. Show all posts
Showing posts with label Literature and Texts. Show all posts
Monday, February 23, 2015
Thursday, February 19, 2015
Even the ancient Egyptians had paid sick days
How state-supported health care worked in ancient times.
By Anne Austin
We might think of state-supported health care as an innovation of the 20th century, but it’s a much older tradition. In fact, texts from a village dating to Egypt’s New Kingdom period, about 3,100 to 3,600 years ago, suggest that ancient Egypt had a state-supported health-care network designed to ensure that workers making the king’s tomb were productive.
Health care boosted productivity on the royal tombs
The village of Deir el-Medina was built for the workmen who made the royal tombs during the New Kingdom (1550 to 1070 BCE). During this period, kings were buried in the Valley of the Kings in a series of rock-cut tombs, not the enormous pyramids of the past. The village was built close enough to the royal tomb to ensure that workers could hike there on a weekly basis.
These workmen were not what we normally picture when we think about the men who built and decorated ancient Egyptian royal tombs — they were highly skilled craftsmen. The workmen at Deir el-Medina were given a variety of amenities afforded only to those with the craftsmanship and knowledge necessary to work on something as important as the royal tomb.
The village was allotted extra support: The Egyptian state paid them monthly wages in the form of grain and provided them with housing and servants to assist with tasks such as washing laundry, grinding grain and porting water. Their families lived with them in the village, and wives and children could also benefit from these provisions from the state.
By Anne Austin
We might think of state-supported health care as an innovation of the 20th century, but it’s a much older tradition. In fact, texts from a village dating to Egypt’s New Kingdom period, about 3,100 to 3,600 years ago, suggest that ancient Egypt had a state-supported health-care network designed to ensure that workers making the king’s tomb were productive.
Health care boosted productivity on the royal tombs
The village of Deir el-Medina was built for the workmen who made the royal tombs during the New Kingdom (1550 to 1070 BCE). During this period, kings were buried in the Valley of the Kings in a series of rock-cut tombs, not the enormous pyramids of the past. The village was built close enough to the royal tomb to ensure that workers could hike there on a weekly basis.
These workmen were not what we normally picture when we think about the men who built and decorated ancient Egyptian royal tombs — they were highly skilled craftsmen. The workmen at Deir el-Medina were given a variety of amenities afforded only to those with the craftsmanship and knowledge necessary to work on something as important as the royal tomb.
The village was allotted extra support: The Egyptian state paid them monthly wages in the form of grain and provided them with housing and servants to assist with tasks such as washing laundry, grinding grain and porting water. Their families lived with them in the village, and wives and children could also benefit from these provisions from the state.
Labels:
Deir el-Medina,
Ebers Papyrus,
Family,
Health Care,
Literature and Texts,
Medicine,
New Kingdom
Sunday, February 15, 2015
Papyri on display
A collection of papyri from the Fayoum has been put on display for the first time in nine decades at the Egyptian Museum in Cairo, writes Nevine El-Aref
Some 80 km southeast of Cairo is the small village of Karanis, once one of the largest Graeco-Roman towns in Fayoum. It was established in antiquity by Ptolemy II Philadelphus, as part of a scheme to settle Greek mercenaries among indigenous Egyptians and exploit the fertile Fayoum basin.
Karanis flourished until the end of the 3rd century CE, when the town started to decline due to troubles in the wider Roman Empire. The town was abandoned by the beginning of the 5th century, as part of momentous socioeconomic, political and religious changes taking place throughout the Mediterranean region.
The site was forgotten, buried by the sands, until the early 19th century when farmers unearthed papyri among organic debris left by the ancient inhabitants. It is these papyri, suitably conserved and restored, that have now been put on display at the Egyptian Museum.
Archaeological excavation, led by British Egyptologist Bernard Pyne Grenfell and papyrologist Arthur Surridge Hunt, started in Karanis in 1895. However, they did not continue their work, deciding that the site had been too plundered in antiquity to produce anything of value. The few papyri and artefacts they stumbled upon were not considered important enough to lead to a better understanding of the history of the site during the Graeco-Roman period.
In 1924 the archaeological rescue of the site began, continuing for the next 12 years under the leadership of an American mission from Michigan University directed by Francis W Kelsey. Two temples, residential houses and urban districts were discovered, along with cisterns, public baths and a collection of household objects of different shapes, sizes and materials. A large collection of papyri, now exhibited at the Kelsey Museum in Michigan in the US, was also unearthed.
Some 80 km southeast of Cairo is the small village of Karanis, once one of the largest Graeco-Roman towns in Fayoum. It was established in antiquity by Ptolemy II Philadelphus, as part of a scheme to settle Greek mercenaries among indigenous Egyptians and exploit the fertile Fayoum basin.
Karanis flourished until the end of the 3rd century CE, when the town started to decline due to troubles in the wider Roman Empire. The town was abandoned by the beginning of the 5th century, as part of momentous socioeconomic, political and religious changes taking place throughout the Mediterranean region.
The site was forgotten, buried by the sands, until the early 19th century when farmers unearthed papyri among organic debris left by the ancient inhabitants. It is these papyri, suitably conserved and restored, that have now been put on display at the Egyptian Museum.
Archaeological excavation, led by British Egyptologist Bernard Pyne Grenfell and papyrologist Arthur Surridge Hunt, started in Karanis in 1895. However, they did not continue their work, deciding that the site had been too plundered in antiquity to produce anything of value. The few papyri and artefacts they stumbled upon were not considered important enough to lead to a better understanding of the history of the site during the Graeco-Roman period.
In 1924 the archaeological rescue of the site began, continuing for the next 12 years under the leadership of an American mission from Michigan University directed by Francis W Kelsey. Two temples, residential houses and urban districts were discovered, along with cisterns, public baths and a collection of household objects of different shapes, sizes and materials. A large collection of papyri, now exhibited at the Kelsey Museum in Michigan in the US, was also unearthed.
Labels:
Conservation,
Fayum,
Greco-Roman,
Greek,
Karanis,
Literature and Texts,
Museums and Exhibitions,
Papyri,
Roman Period
Sunday, February 1, 2015
Ecrire à ses morts: enquête sur un usage rituel de l'écrit dans l'Egypte pharaonique - A Bryn Mawr Classical Review
Bryn Mawr Classical Review 2015.01.53
Sylvie Donnat Beauquier, Ecrire à ses morts: enquête sur un usage rituel de l'écrit dans l'Egypte pharaonique. Collection Horos. Grenoble: Jérôme Millon Editions, 2014. Pp. 286. ISBN 9782841372522. €26.00 (pb).
One of the most characteristic aspects of pharaonic culture is undoubtedly the funerary domain. Massive monuments like the pyramids, beautifully decorated royal and private tombs, extensive ritual texts carved on temples or inscribed in coffins, even contemporary popular icons of the Egyptian past like mummies or the Book of the Dead, attest to the importance of death and deceased people in Egyptian beliefs and in contemporary interpretations of pharaonic civilization. In fact Egyptology has devoted most of its archaeological and philological work to the study of texts and monuments related to the mortuary sphere, especially those belonging to members of the royalty and of the elite who ruled the country. Furthermore, these researches have been mainly focused on art and religious history, while the social aspects of death and its importance in cementing interpersonal ties among the living ones, especially among common people, have not received as much attention. In the last decades Egyptologists have become increasingly aware, however, of the existence of extensive kin networks in Egyptian society, a circumstance usually concealed behind the use of rather general and imprecise kinship terms like “brother”, “sister”, “son” or “child” to refer, in fact, to collateral or descendant members of one's family as well as to subordinates. The epigraphic and ritual sources of the end of the 3rd millennium suddenly contain a plethora of terms evoking extensive kin groups, but the precise meaning of many of them still eludes us and in many cases it is only possible to suggest approximate translations like “household” or “extended family”. Irrespective, the influence of these networks left their mark in the domain of funerary beliefs.
Sylvie Donnat Beauquier, Ecrire à ses morts: enquête sur un usage rituel de l'écrit dans l'Egypte pharaonique. Collection Horos. Grenoble: Jérôme Millon Editions, 2014. Pp. 286. ISBN 9782841372522. €26.00 (pb).
One of the most characteristic aspects of pharaonic culture is undoubtedly the funerary domain. Massive monuments like the pyramids, beautifully decorated royal and private tombs, extensive ritual texts carved on temples or inscribed in coffins, even contemporary popular icons of the Egyptian past like mummies or the Book of the Dead, attest to the importance of death and deceased people in Egyptian beliefs and in contemporary interpretations of pharaonic civilization. In fact Egyptology has devoted most of its archaeological and philological work to the study of texts and monuments related to the mortuary sphere, especially those belonging to members of the royalty and of the elite who ruled the country. Furthermore, these researches have been mainly focused on art and religious history, while the social aspects of death and its importance in cementing interpersonal ties among the living ones, especially among common people, have not received as much attention. In the last decades Egyptologists have become increasingly aware, however, of the existence of extensive kin networks in Egyptian society, a circumstance usually concealed behind the use of rather general and imprecise kinship terms like “brother”, “sister”, “son” or “child” to refer, in fact, to collateral or descendant members of one's family as well as to subordinates. The epigraphic and ritual sources of the end of the 3rd millennium suddenly contain a plethora of terms evoking extensive kin groups, but the precise meaning of many of them still eludes us and in many cases it is only possible to suggest approximate translations like “household” or “extended family”. Irrespective, the influence of these networks left their mark in the domain of funerary beliefs.
Labels:
Afterlife,
Family,
Funerary beliefs,
Hieratic,
Literature and Texts,
Research
Sunday, January 18, 2015
Mummy Mask May Reveal Oldest Known Gospel
by Owen Jarus, Live Science Contributor | January 18, 2015
A text that may be the oldest copy of a gospel known to exist — a fragment of the Gospel of Mark that was written during the first century, before the year 90 — is set to be published.
At present, the oldest surviving copies of the gospel texts date to the second century (the years 101 to 200).
This first-century gospel fragment was written on a sheet of papyrus that was later reused to create a mask that was worn by a mummy. Although the mummies of Egyptian pharaohs wore masks made of gold, ordinary people had to settle for masks made out of papyrus (or linen), paint and glue. Given how expensive papyrus was, people often had to reuse sheets that already had writing on them.
In recent years scientists have developed a technique that allows the glue of mummy masks to be undone without harming the ink on the paper. The text on the sheets can then be read.
The first-century gospel is one of hundreds of new texts that a team of about three-dozen scientists and scholars is working to uncover, and analyze, by using this technique of ungluing the masks, said Craig Evans, a professor of New Testament studies at Acadia Divinity College in Wolfville, Nova Scotia.
"We're recovering ancient documents from the first, second and third centuries. Not just Christian documents, not just biblical documents, but classical Greek texts, business papers, various mundane papers, personal letters," Evans told Live Science. The documents include philosophical texts and copies of stories by the Greek poet Homer.
The business and personal letters sometimes have dates on them, he said. When the glue was dissolved, the researchers dated the first-century gospel in part by analyzing the other documents found in the same mask.
A text that may be the oldest copy of a gospel known to exist — a fragment of the Gospel of Mark that was written during the first century, before the year 90 — is set to be published.
At present, the oldest surviving copies of the gospel texts date to the second century (the years 101 to 200).
This first-century gospel fragment was written on a sheet of papyrus that was later reused to create a mask that was worn by a mummy. Although the mummies of Egyptian pharaohs wore masks made of gold, ordinary people had to settle for masks made out of papyrus (or linen), paint and glue. Given how expensive papyrus was, people often had to reuse sheets that already had writing on them.
In recent years scientists have developed a technique that allows the glue of mummy masks to be undone without harming the ink on the paper. The text on the sheets can then be read.
The first-century gospel is one of hundreds of new texts that a team of about three-dozen scientists and scholars is working to uncover, and analyze, by using this technique of ungluing the masks, said Craig Evans, a professor of New Testament studies at Acadia Divinity College in Wolfville, Nova Scotia.
"We're recovering ancient documents from the first, second and third centuries. Not just Christian documents, not just biblical documents, but classical Greek texts, business papers, various mundane papers, personal letters," Evans told Live Science. The documents include philosophical texts and copies of stories by the Greek poet Homer.
The business and personal letters sometimes have dates on them, he said. When the glue was dissolved, the researchers dated the first-century gospel in part by analyzing the other documents found in the same mask.
Labels:
Christianity,
Gospel of Mark,
Literature and Texts,
Mummies,
Papyrus
Sunday, November 9, 2014
2000-year-old youth organization
In Roman Egypt, 14-year-old boys were enrolled in a youth organization in order to learn to be good citizens.
So says social historian and historian of ideas Ville Vuolanto, University of Oslo, who has joined forces with Dr April Pudsey of the University of Newcastle to dive deep into a mass of material of around 7,500 ancient documents written on papyrus. The texts comprise literary texts, personal letters and administrative documents. Never before has childhood been researched so systematically in this type of material.
The documents originate from Oxyrhynchos in Egypt, which in the first five hundred years CE was a large town of more than 25,000 inhabitants. Oxyrhynchos had Egypt’s most important weaving industry, and was also the Roman administrative centre for the area. Researchers possess a great deal of documentation precisely from this area because archaeologists digging one hundred years ago discovered thousands of papyri in what had once been the town’s rubbish dumps.
Free-born citizens only
Only boys born to free-born citizens were entitled to be members of the town’s youth organization, which was called a ‘gymnasium’. These boys were the children of local Egyptians, Greeks and Romans. Their families would necessarily have been quite prosperous, and have had an income that placed them in the ‘12 drachma tax class’. It is uncertain how large a proportion of the population would have qualified, probably somewhere between 10 and 25 per cent, Vuolanto explains.
So says social historian and historian of ideas Ville Vuolanto, University of Oslo, who has joined forces with Dr April Pudsey of the University of Newcastle to dive deep into a mass of material of around 7,500 ancient documents written on papyrus. The texts comprise literary texts, personal letters and administrative documents. Never before has childhood been researched so systematically in this type of material.
The documents originate from Oxyrhynchos in Egypt, which in the first five hundred years CE was a large town of more than 25,000 inhabitants. Oxyrhynchos had Egypt’s most important weaving industry, and was also the Roman administrative centre for the area. Researchers possess a great deal of documentation precisely from this area because archaeologists digging one hundred years ago discovered thousands of papyri in what had once been the town’s rubbish dumps.
Free-born citizens only
Only boys born to free-born citizens were entitled to be members of the town’s youth organization, which was called a ‘gymnasium’. These boys were the children of local Egyptians, Greeks and Romans. Their families would necessarily have been quite prosperous, and have had an income that placed them in the ‘12 drachma tax class’. It is uncertain how large a proportion of the population would have qualified, probably somewhere between 10 and 25 per cent, Vuolanto explains.
Labels:
Children,
Literature and Texts,
Oxyrhynchus,
Oxyrhynchus Papyri,
Papyri,
Research,
Roman Period,
Romans,
Slaves
Thursday, April 3, 2014
World’s oldest weather report could revise Bronze Age chronology
By Susie Allen and William Harms
APRIL 1, 2014
An inscription on a 3,500-year-old stone block from Egypt may be one of the world’s oldest weather reports—and could provide new evidence about the chronology of events in the ancient Middle East.
A new translation of a 40-line inscription on the 6-foot-tall calcite block called the Tempest Stela describes rain, darkness and “the sky being in storm without cessation, louder than the cries of the masses.”
Two scholars at the University of Chicago’s Oriental Institute believe the unusual weather patterns described on the slab were the result of a massive volcano explosion at Thera—the present-day island of Santorini in the Mediterranean Sea. Because volcano eruptions can have a widespread impact on weather, the Thera explosion likely would have caused significant disruptions in Egypt.
The new translation suggests the Egyptian pharaoh Ahmose ruled at a time closer to the Thera eruption than previously thought—a finding that could change scholars’ understanding of a critical juncture in human history as Bronze Age empires realigned. The research from the Oriental Institute’s Nadine Moeller and Robert Ritner appears in the spring issue of the Journal of Near Eastern Studies.
The Tempest Stela dates back to the reign of the pharaoh Ahmose, the first pharaoh of the 18th Dynasty. His rule marked the beginning of the New Kingdom, a time when Egypt’s power reached its height. The block was found in pieces in Thebes, modern Luxor, where Ahmose ruled.
APRIL 1, 2014
An inscription on a 3,500-year-old stone block from Egypt may be one of the world’s oldest weather reports—and could provide new evidence about the chronology of events in the ancient Middle East.
A new translation of a 40-line inscription on the 6-foot-tall calcite block called the Tempest Stela describes rain, darkness and “the sky being in storm without cessation, louder than the cries of the masses.”
Two scholars at the University of Chicago’s Oriental Institute believe the unusual weather patterns described on the slab were the result of a massive volcano explosion at Thera—the present-day island of Santorini in the Mediterranean Sea. Because volcano eruptions can have a widespread impact on weather, the Thera explosion likely would have caused significant disruptions in Egypt.
The new translation suggests the Egyptian pharaoh Ahmose ruled at a time closer to the Thera eruption than previously thought—a finding that could change scholars’ understanding of a critical juncture in human history as Bronze Age empires realigned. The research from the Oriental Institute’s Nadine Moeller and Robert Ritner appears in the spring issue of the Journal of Near Eastern Studies.
The Tempest Stela dates back to the reign of the pharaoh Ahmose, the first pharaoh of the 18th Dynasty. His rule marked the beginning of the New Kingdom, a time when Egypt’s power reached its height. The block was found in pieces in Thebes, modern Luxor, where Ahmose ruled.
Labels:
18th Dynasty,
Ahmose I,
Chronology,
Hyksos,
Literature and Texts,
New Kingdom,
Tempest Stela,
Translation,
Weather
Sunday, February 2, 2014
Writing historical fiction in New Kingdom Egypt
By Colleen Manassa
The origins of Egyptian literary fiction can be found in the rollicking adventure tales and sober instructional texts of the early second millennium BCE. Tales such as the Story of Sinuhe, one of the classics of Egyptian literature, enjoyed a robust readership throughout the second millennium BCE as Egypt transitioned politically from the strongly centralized state of the Middle Kingdom and through the political changes, population movements, and strife of the Second Intermediate Period into the imperial glories of the New Kingdom (1550-1070 BCE). During the New Kingdom, particularly the Nineteenth and Twentieth Dynasties, the “Ramesside Period,” another literary efflorescence occurred. Among the genres of this new corpus of literary productions are stories that can be most properly described as works of “historical fiction.” Set in the past with attested historical characters, these works of historical fiction are an ancient Egyptian counterpart, albeit ultimately unrelated, to the mammoth corpus of modern historical fiction from Sir Walter Scott, Patrick O’Brien, and George McDonald Frasier to Ken Follett and Philippa Gregory.
Historical fiction in New Kingdom Egypt has never been identified as its own genre, but in identifying it as such, stories that represent this period in history are brought to life. Ancient evidence used to resurrect the plots and characters range from straightforward archaeological excavation to a diverse array of historical texts to an actual royal mummy, whose violent death portends the ending of one tale.
The origins of Egyptian literary fiction can be found in the rollicking adventure tales and sober instructional texts of the early second millennium BCE. Tales such as the Story of Sinuhe, one of the classics of Egyptian literature, enjoyed a robust readership throughout the second millennium BCE as Egypt transitioned politically from the strongly centralized state of the Middle Kingdom and through the political changes, population movements, and strife of the Second Intermediate Period into the imperial glories of the New Kingdom (1550-1070 BCE). During the New Kingdom, particularly the Nineteenth and Twentieth Dynasties, the “Ramesside Period,” another literary efflorescence occurred. Among the genres of this new corpus of literary productions are stories that can be most properly described as works of “historical fiction.” Set in the past with attested historical characters, these works of historical fiction are an ancient Egyptian counterpart, albeit ultimately unrelated, to the mammoth corpus of modern historical fiction from Sir Walter Scott, Patrick O’Brien, and George McDonald Frasier to Ken Follett and Philippa Gregory.
Historical fiction in New Kingdom Egypt has never been identified as its own genre, but in identifying it as such, stories that represent this period in history are brought to life. Ancient evidence used to resurrect the plots and characters range from straightforward archaeological excavation to a diverse array of historical texts to an actual royal mummy, whose violent death portends the ending of one tale.
Sunday, June 2, 2013
Museum Pieces - Papyrus from the Book of the Dead of Nakht
![]() |
| Photocredit: British Museum (EA 10471/13) |
From Thebes, Egypt
Late 18th Dynasty, 1350-1300 BC
Late 18th Dynasty, 1350-1300 BC
Agricultural scenes
Nakht was a royal scribe and overseer of the army (general) at the end of the Eighteenth Dynasty (about 1550-1295 BC). His Book of the Dead is a beautifully illustrated example.
This papyrus shows Spell 110, a series of addresses to deities who dwell in the 'next world', specifically in the Field of Offering and the Field of Rushes. The deceased was expected to undertake agricultural work in the Field of Rushes.
The vignette evolved from a map of the Field in the earlier Coffin Texts. It shows areas of land surrounded by water. Nakht is shown with Thoth at top right, with the balance and feather of Maat (referring to the Judgement Scene). He then paddles his boat across the Lake of Offerings where two mummiform deities stand before a table of offerings. Nakht is also shown worshipping the Heron of Plenty. He is shown pulling flax, reaping, and ploughing below. The boat of Wennefer (a name for the god Osiris), shown with a head of a snake, is moored in a channel of the water at the bottom. Three deities of the ennead (group of nine gods) are shown bottom right.
R.O. Faulkner, The Ancient Egyptian Book of t, (revised ed. C. A. R. Andrews) (London, The British Museum Press, 1985)
R.B. Parkinson and S. Quirke, Papyrus, (Egyptian Bookshelf) (London, The British Museum Press, 1995)
E.R. Russmann, Eternal Egypt: masterworks of (University of California Press, 2001)
S. Quirke and A.J. Spencer, The British Museum book of anc (London, The British Museum Press, 1992)
Nakht was a royal scribe and overseer of the army (general) at the end of the Eighteenth Dynasty (about 1550-1295 BC). His Book of the Dead is a beautifully illustrated example.
This papyrus shows Spell 110, a series of addresses to deities who dwell in the 'next world', specifically in the Field of Offering and the Field of Rushes. The deceased was expected to undertake agricultural work in the Field of Rushes.
The vignette evolved from a map of the Field in the earlier Coffin Texts. It shows areas of land surrounded by water. Nakht is shown with Thoth at top right, with the balance and feather of Maat (referring to the Judgement Scene). He then paddles his boat across the Lake of Offerings where two mummiform deities stand before a table of offerings. Nakht is also shown worshipping the Heron of Plenty. He is shown pulling flax, reaping, and ploughing below. The boat of Wennefer (a name for the god Osiris), shown with a head of a snake, is moored in a channel of the water at the bottom. Three deities of the ennead (group of nine gods) are shown bottom right.
R.O. Faulkner, The Ancient Egyptian Book of t, (revised ed. C. A. R. Andrews) (London, The British Museum Press, 1985)
R.B. Parkinson and S. Quirke, Papyrus, (Egyptian Bookshelf) (London, The British Museum Press, 1995)
E.R. Russmann, Eternal Egypt: masterworks of (University of California Press, 2001)
S. Quirke and A.J. Spencer, The British Museum book of anc (London, The British Museum Press, 1992)
Labels:
18th Dynasty,
Afterlife,
Art,
Book Of The Dead,
Literature and Texts,
Museum Pieces,
Museums and Exhibitions,
Nakht,
Papyri
Monday, May 20, 2013
Library's papyrus leads to an ancient detective story
By Gwen Glazer
In 1889, Andrew Dickson White’s extensive travels found him in Cairo, where he purchased an 8-foot-long papyrus scroll found in an ancient tomb. A museum conservator told White it was Spell 125 from the “Book of the Dead,” a traditional Egyptian funeral text.
White shipped it to Ithaca and, trusting his account, no one translated the scroll after it arrived in the library’s archives – until now, when a collections assistant in the Division of Rare and Manuscript Collections (RMC) examined it carefully.
![]() A segment of the papyrus on display |
| Photocredit: Division of Rare and Manuscript Collections |
Fredrika Loew ’12, a Near Eastern studies and archaeology major who knows hieroglyphics and began as a student assistant in RMC, consulted with her colleagues and found something odd about the text.
“It’s written in hieratic, the hieroglyphic equivalent for papyrus, and it’s clear from the drawing that it has something to do with death and burials,” Loew said. “But when I looked at it carefully, the words didn't seem familiar.”
Loew's was right: The scroll turned out to be a unique funerary text. It quotes parts of the “Book of the Dead,” but, as far as scholars know, it is an original text from the Ptolemaic period and dates to around 330-320 B.C.
With Thomas Christiansen, a hieratic scholar in Denmark, Loew is working to understand the text. She, Christiansen and Caitlin Barrett, assistant professor of classics, are also co-authoring a book about the papyrus.
The papyrus belonged to a Ptolemaic priest named Usir-Wer, and it describes what will happen to his body and soul (or “ba”) after death. Part of it reads:
“They will take your ba to the sky and they will take your corpse to the Duat. They will place the cloth of the southern and northern house on your mummy like the follower of Sokar, whom you made into one of the vigilant ones who are watching over the lord, the great god. ... Your ba will appear in a chamber of white gold. Royal linen will descend on your mummy bandages.”
Loew created an RMC exhibition around the papyrus – and several other Egypt-related artifacts from the Herbert F. Johnson Museum of Art and the library, including its anthropology collections – that will be open until June 15 in the Kroch Library rotunda. The display includes mummified birds, an amulet, a kohl jar and an 1824 book deciphering hieratic and hieroglyphics from the Rosetta Stone. Also on display are White's photographs from his travels in Egypt, including the excavation of the Sphinx.
The exhibition is open Monday through Friday, 10 a.m. to 5 p.m.
Source: http://www.news.cornell.edu/stories/2013/05/librarys-papyrus-leads-ancient-detective-story
Monday, September 24, 2012
'Cult Fiction' Traced to Ancient Egypt Priest
by Owen Jarus
A recently deciphered Egyptian papyrus from around 1,900 years ago tells a fictional story that includes drinking, singing, feasting and ritual sex, all in the name of the goddess Mut.
Researchers believe that a priest wrote the blush-worthy tale, as a way to discuss controversial ritual sex acts with other priests.
"Our text may represent a new and hitherto unrecognized Egyptian literary genre: 'cult' fiction, the purpose of which was to allow controversial or contentious matters pertaining to the divine cult to be scrutinized in this way," wrote professors Richard Jasnow and Mark Smith, who published their translation and analysis of the papyrus in the most recent edition of the journal Enchoria.
Jasnow, from Johns Hopkins University, and Smith, from Oxford, write that evidence of ritual sex is rare in ancient Egypt and the act probably would have been controversial. "There is surprisingly little unequivocal Egyptian evidence for the performance of the sex act as such in ritual contexts," Jasnow and Smith wrote. They added that the Egyptians were known to discuss other controversial matters using fictional stories.
Labels:
Demotic,
Literature and Texts,
Mut,
Papyri,
Religion
Wednesday, September 19, 2012
Jesus's Wife? Scholar Announces Existence of a New Early Christian Gospel from Egypt
ScienceDaily (Sep. 18, 2012) — Four words on a previously unknown papyrus fragment provide the first evidence that some early Christians believed Jesus had been married, Harvard Professor Karen King told the 10th International Congress of Coptic Studies today.
King, the Hollis Professor of Divinity at Harvard Divinity School, announced the existence of the ancient text at the Congress's meeting, held every four years and hosted this year by the Vatican's Institutum Patristicum Augustinianum in Rome. The four words that appear on the fragment translate to, "Jesus said to them, my wife." The words, written in Coptic, a language of ancient Egyptian Christians, are on a papyrus fragment of about one and a half inches by three inches.
"Christian tradition has long held that Jesus was not married, even though no reliable historical evidence exists to support that claim," King said. "This new gospel doesn't prove that Jesus was married, but it tells us that the whole question only came up as part of vociferous debates about sexuality and marriage. From the very beginning, Christians disagreed about whether it was better not to marry, but it was over a century after Jesus's death before they began appealing to Jesus's marital status to support their positions."
Roger Bagnall, director of the Institute for the Study of the Ancient World in New York, believes the fragment to be authentic based on examination of the papyrus and the handwriting, and Ariel Shisha-Halevy, a Coptic expert at Hebrew University in Jerusalem, considers it likely to be authentic on the basis of language and grammar, King said. Final judgment on the fragment, King said, depends on further examination by colleagues and further testing, especially of the chemical composition of the ink.
One side of the fragment contains eight incomplete lines of handwriting, while the other side is badly damaged and the ink so faded that only three words and a few individual letters are still visible, even with infrared photography and computer photo enhancement. Despite its tiny size and poor condition, King said, the fragment provides tantalizing glimpses into issues about family, discipleship, and marriage that concerned ancient Christians.
Labels:
Christianity,
Coptic,
Literature and Texts,
Papyri,
Religion
Saturday, September 8, 2012
The Long Tradition of Debt Cancellation in Mesopotamia and Egypt from 3000 to 1000 BC
by Eric Toussaint
Hammurabi, king of Babylon, and debt cancellation
The Hammurabi Code is in the Louvre Museum, in Paris. The term “code” is inappropriate, because what Hammurabi left us is a set of rules and judgements on relations between public authorities and citizens. Hammurabi began his 42-year reign as “king” of Babylon (located in present-day Iraq), in 1792 BC. What most history books fail to mention is that, like other governors of the City-State of Mesopotamia, Hammurabi proclaimed the official cancellation of citizens’ debts owed to the government, high-ranking officials, and dignitaries. The so-called Hammurabi Code is thought to date back to 1762 BC. Its epilogue proclaims that “the powerful may not oppress the weak; the law must protect widows and orphans (…) in order to bring justice to the oppressed”. The many ancient documents deciphered from cuneiform script have enabled historians to establish beyond any doubt that four general cancellations took place during Hammurabi’s reign, in 1792, 1780, 1771, and 1762 BC.
In Hammurabi’s time, economic, political, and social life were organised around the Temple and the Palace. Those two closely enmeshed institutions, with their numerous artisans, workers, and, of course, scribes, constituted the apparatus of the State, not so very different from today’s governments. The Temple and the Palace provided their employees with board and lodge: they thus received food rations sufficient for two full meals a day. The peasantry was provided with land (which they rented), tools, draught animals, livestock, and water for irrigation, so that they could grow food for the workers and dignitaries. Thus, the peasants produced barley (their staple grain), oil, fruit, and vegetables, a portion of which, when harvested, they had to pay to the State as rent. As well as the land they cultivated for the Palace and the Temple, the peasants owned their own land, home, livestock, and tools. When the harvest was poor, they accumulated debts. They also incurred debt through loans granted privately by high-ranking officials and dignitaries eager to get rich and to seize the peasants’ property in case of default. If peasants were unable to pay off their debts, they could also find themselves reduced to the condition of serfs or slaves; indebtedness could also lead to members of their family being made slaves. In order to ensure social peace and stability, and especially to prevent peasants’ living conditions from deteriorating, the authorities periodically cancelled all debt |1| and restored peasants’ rights.
Hammurabi, king of Babylon, and debt cancellation
The Hammurabi Code is in the Louvre Museum, in Paris. The term “code” is inappropriate, because what Hammurabi left us is a set of rules and judgements on relations between public authorities and citizens. Hammurabi began his 42-year reign as “king” of Babylon (located in present-day Iraq), in 1792 BC. What most history books fail to mention is that, like other governors of the City-State of Mesopotamia, Hammurabi proclaimed the official cancellation of citizens’ debts owed to the government, high-ranking officials, and dignitaries. The so-called Hammurabi Code is thought to date back to 1762 BC. Its epilogue proclaims that “the powerful may not oppress the weak; the law must protect widows and orphans (…) in order to bring justice to the oppressed”. The many ancient documents deciphered from cuneiform script have enabled historians to establish beyond any doubt that four general cancellations took place during Hammurabi’s reign, in 1792, 1780, 1771, and 1762 BC.
In Hammurabi’s time, economic, political, and social life were organised around the Temple and the Palace. Those two closely enmeshed institutions, with their numerous artisans, workers, and, of course, scribes, constituted the apparatus of the State, not so very different from today’s governments. The Temple and the Palace provided their employees with board and lodge: they thus received food rations sufficient for two full meals a day. The peasantry was provided with land (which they rented), tools, draught animals, livestock, and water for irrigation, so that they could grow food for the workers and dignitaries. Thus, the peasants produced barley (their staple grain), oil, fruit, and vegetables, a portion of which, when harvested, they had to pay to the State as rent. As well as the land they cultivated for the Palace and the Temple, the peasants owned their own land, home, livestock, and tools. When the harvest was poor, they accumulated debts. They also incurred debt through loans granted privately by high-ranking officials and dignitaries eager to get rich and to seize the peasants’ property in case of default. If peasants were unable to pay off their debts, they could also find themselves reduced to the condition of serfs or slaves; indebtedness could also lead to members of their family being made slaves. In order to ensure social peace and stability, and especially to prevent peasants’ living conditions from deteriorating, the authorities periodically cancelled all debt |1| and restored peasants’ rights.
Labels:
Literature and Texts,
Mesopotamia,
Rosetta Stone
Saturday, August 25, 2012
Ancient Poem Praises Murderous Roman Emperor Nero
by Owen Jarus
A just-deciphered ancient Greek poem discovered in Egypt, deifies Poppaea Sabina, the wife of the infamous Roman emperor Nero, showing her ascending to the stars.
Based on the lettering styles and other factors, scholars think the poem was written nearly 200 years after Nero died (about 1,800 years ago), leaving them puzzled as to why someone so far away from Rome, would bother composing or copying it at such a late date.
In the poem, Poppaea ascends to heaven and becomes a goddess. The ancient goddess Aphrodite says to Poppaea, "my child, stop crying and hurry up: with all their heart Zeus' stars welcome you and establish you on the moon..."
Nero was one of the most infamous rulers who ever lived. Ancient writers say that he killed his own mother, Agrippina, and his first wife Octavia. He is also said to have killed Poppaea herself with a kick to her stomach while she was pregnant. If that wasn't enough, the well-known line — "Nero fiddles while Rome burns" — is an apocryphal phrase related to a great fire that ravaged Rome for six days during his reign.
Poppaea herself is also depicted in a less-than-positive light by ancient writers. When Octavia was killed, Poppaea was said to have been presented with her head. Some sources also speculate that she was the power behind the throne that encouraged Nero to murder his mother.
Labels:
Literature and Texts,
Nero,
Oxyrhynchus Papyri,
Papyri,
Roman Period
Monday, August 20, 2012
The Organization of the Pyramid Texts
The ancient Egyptian Pyramid Texts form the oldest sizable body of religious texts in the world. Discovered in the late nineteenth century, they had been inscribed on the interior stone walls of the pyramid tombs of third-millennium kings and queens. From their content it is clear that they were concerned with the afterlife state of the tomb owner, but the historical meaning of their emergence has been poorly understood. This book weds traditional philological approaches to linguistic anthropology in order to associate them with two spheres of human action: mortuary cult and personal preparation for the afterlife. Monumentalized as hieroglyphs in the tomb, their function was now one step removed from the human events that had motivated their original production.
Author: Harold M. Hays
Publisher: Brill (2012)
Author: Harold M. Hays
Publisher: Brill (2012)
Labels:
Afterlife,
Literature and Texts,
Pyramid Texts
Tuesday, August 14, 2012
How the Rosetta Stone Works
by Candace Keener
Ancient Egypt conjures up images of bearded pharaohs, mighty pyramids and gold-laden tombs. Centuries ago, before archaeology became a legitimate field of science, explorers raided Egyptian ruins, seizing priceless artifacts. Collectors knew that these items were valuable, but they had no way of understanding just how much they were worth. Because the civilization's historical records and monuments were inscribed with hieroglyphics, a language no one -- Egyptian or foreigner -- could read, the secrets of Egypt's past were hopelessly lost. That is, until the Rosetta Stone was discovered.
The Rosetta Stone is a fragment of a stela, a free-standing stone inscribed with Egyptian governmental or religious records. It's made of black basalt and weighs about three-quarters of a ton (0.680 metric tons). The stone is 118 cm (46.5 in.) high, 77 cm. (30 in.) wide and 30 cm. (12 in.) deep -- roughly the size of a medium-screen LCD television or a heavy coffee table [source BBC]. But what's inscribed on the Rosetta Stone is far more significant than its composition. It features three columns of inscriptions, each relaying the same message but in three different languages: Greek, hieroglyphics and Demotic. Scholars used the Greek and Demotic inscriptions to make sense of the hieroglyphic alphabet. By using the Rosetta Stone as a translation device, scholars revealed more than 1,400 years of ancient Egyptian secrets [source: Cleveland MOA].
The discovery and translation of the Rosetta Stone are as fascinating as the translations that resulted from the stone. Controversial from the start, it was unearthed as a result of warfare and Europe's quest for world domination. Its translation continued to cause strife between nations, and even today, scholars debate who should be credited with the triumph of solving the hieroglyphic code. Even the stone's current location is a matter of debate. This artifact has long held a powerful grip over history and politics.
Since 1802, the Rosetta Stone has occupied a space in London's British Museum. While most visitors acknowledge the stone as an important piece of history, others are drawn to it like a religious relic. The stone is now enclosed in a case, but in the past, visitors could touch it and trace the mysterious hieroglyphics with their fingers.
In this article, we'll learn how the world came to regard this piece of stone as a harbinger of Egypt's secrets. We'll also discuss its history and the circumstances surrounding its discovery, as well as the long and difficult task of deciphering the Rosetta Stone's inscriptions. Last, we'll examine the field of Egyptology and how it evolved from the Rosetta Stone.
Saturday, August 4, 2012
Osiris, God of Mortality
Osiris is the God of mortality and of the mortal being as mortal, hence in the ultimate stages of the development of Egyptian theology, any deceased individual is identified with Osiris, as is reflected by the use of ‘Osiris N.’ to refer to the deceased in the collections of afterlife literature known as the Coffin Texts and the Book of the Dead, where the conventional ‘N.’ of the translators represents the insertion of the name of the person on whose behalf the copy of the text was produced. This identification bridges gender, males and females alike being referred to as ‘Osiris’ in this context, albeit occasionally Hathor replaced Osiris as the vehicle of divine identification for the female deceased; and the Osirian identification apparently bridged species as well, since as animals who received funerary rites, such as the Apis bull, could be ‘Osirianized’ as well. Osiris is depicted anthropomorphically, virtually always mummiform, holding the crook and flail, symbols of royalty, and the atef crown, which resembles the ‘white crown’ of Upper Egypt but with two plumes on either side. The skin color of Osiris is generally green, symbolizing vegetative life and renewal. No single convincing interpretation of the name ‘Osiris’ has come forward (for the various hypotheses, see J. G. Griffiths, “Osiris,” in Helck and Otto), but the Os- component is written with the same sign – a throne, with the meaning ‘seat’ or ‘place’ – as the Is- component in the name Isis, while the -ir component is written with an eye, as the verb ‘to make’, hence the wordplay of PT utterance 684: “the King will take his place as Osiris,” or “make his seat like Osiris.” A connection to the word wsr, ‘mighty’, has also been suggested. The most characteristic epithet of Osiris is wn-nfr, or ‘Onnophris’, meaning ‘Enduring in well-being/the good’.
Labels:
Afterlife,
Literature and Texts,
Osiris,
Religion
Friday, July 13, 2012
Ancient script, modern wisdom
Czech Egyptologist links hieroglyphics to mind mapping
By Fiona Gaze
There are few people whose eyes will light up when you ask them about their jobs, or who will reply, "I have the most awesome job ever." But for Renata Landgráfová, being an Egyptologist with a specialty in translating and interpreting Egyptian hieroglyphics is about as cool as it gets. Her work at the Charles University Czech Institute of Egyptology has taken her not only to the sites of archeological digs in Egypt numerous times but also past the brink of a new discovery: the connection between hieroglyphics and the modern practice of mind mapping and memory coaching.
Landgráfová, 35, reads the writing on the wall - specifically, the messages in tombs, tablets and texts from ancient Egypt. She is often one of the first experts onsite at a newly opened tomb in Egypt, and the first to not only hold a text that has not seen the light of day in several millennia but to decipher its meaning and relevance. Through her various publications and her university teaching, she presents a new way to look at hieroglyphics, revealing histories and stories of an ancient civilization that hold much more than mythology for the modern age.
In addition to the excitement of quite literally holding history in her hands, Landgráfová says the study of hieroglyphics and the culture behind them holds lessons we can apply today.
"I think it helps us - as all history does - to understanding a little more about humanity, and this is, in the end, what mankind's quest for knowledge has always been about," she says.
Sunday, June 17, 2012
What the Sphinx Said
By DAVID STUART
On Sept. 14, 1822, as legend tells the tale, Jean-François Champollion burst into his brother's Paris office at the Academy of Inscriptions and Belles-Lettres, flung a bundle of drawings upon the desk and cried, "Je tiens mon affaire!" ("I've done it!"). Champollion promptly fainted before he could utter news of the great intellectual feat for which he is still celebrated: the decipherment of ancient Egyptian hieroglyphs. The story of the young, frail, hotheaded scholar and his volatile time, full of upheavals political and scientific, is a remarkable tale, wonderfully told in Andrew Robinson's "Cracking the Egyptian Code: The Revolutionary Life of Jean-François Champollion."
The founding father of Egyptology started young and lived a relatively short life. Born in 1790 in southwest France, Champollion became fascinated by Oriental history and languages not long after he was sent to school in Grenoble at age 10, having exhausted local teachers. France was still basking in the exotic glow of Napoleon's Egypt campaign (1798-1801), when scientists as well as soldiers helped introduce the wonders of ancient Egypt into Western consciousness. Images and accounts of pyramids, temples and mysterious hieroglyphs—including those on the recently discovered Rosetta Stone—enchanted the young Jean-François, who soon set his sights on learning the Coptic language of old Egypt.
The founding father of Egyptology started young and lived a relatively short life. Born in 1790 in southwest France, Champollion became fascinated by Oriental history and languages not long after he was sent to school in Grenoble at age 10, having exhausted local teachers. France was still basking in the exotic glow of Napoleon's Egypt campaign (1798-1801), when scientists as well as soldiers helped introduce the wonders of ancient Egypt into Western consciousness. Images and accounts of pyramids, temples and mysterious hieroglyphs—including those on the recently discovered Rosetta Stone—enchanted the young Jean-François, who soon set his sights on learning the Coptic language of old Egypt.
Labels:
Biographies,
Hieroglyphics,
Jean-François Champollion,
Literature and Texts,
Research,
Rosetta Stone,
Thomas Young
Thursday, June 7, 2012
King Meneptah's stelae in Silsila is safe after theft attempt
Thieves were foiled late last night at King Meneptah’s chapel at Al-Silsila in Aswan after they attempted to steal a famed stelae
by Nevine El-Aref , Thursday 7 Jun 2012
by Nevine El-Aref , Thursday 7 Jun 2012
Archaeologists and guards at Gabal Al-Silsila archaeological site, 20 kilometres north of Kom Ombo city in Aswan, succeeded in catching a group of thieves who in full view had tried to remove King Meneptah’s stelae from its original position on the wall of his chapel.
Minister of State for Antiquities Mohamed Ibrahim said the theft attempt was discovered late last night when permanent archaeologists at the site realised that four people were in front of King Meneptah’s stelae trying to hack it off the wall with an axe and digging tools. With the help of guards, archaeologists surrounded the criminals and caught them red handed. The Tourism and Antiquities Police came and took the criminals into custody.
Abdel Moneim Saeed, director of Kom Ombo site, said an early inspection of the stelae revealed that it had been partly damaged by the hard tools used in the theft attempt, especially its lower part which is now dotted with holes. But he assures the damage can be restored and the stelae returned to its original condition.
Abdel Hamid Maarouf, head of the ancient Egypt section at the Ministry of State for Antiquities (MSA), told Ahram Online that the Meneptah stelae is located between two chapels of kings Meneptah and his father, Ramses II. It is a rocky stelae carved in rock and engraved with hieroglyphic text and decorated with a scene depicting King Meneptah offering god Amun Re the sign of justice, Maat.
Labels:
Aswan,
Kingship,
Literature and Texts,
Meneptah,
Monuments,
New Kingdom,
Stelae,
Stolen Artefacts,
Theft and Looting
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