By Alvin Powell, Harvard Staff Writer
Britain’s Lord Carnarvon asked famed archaeologist Howard Carter what he saw as he first peered into King Tut’s tomb.
“Wonderful things,” Carter supposedly replied.
Carter would eventually catalog thousands of objects from the tomb of Tutankhamun, the boy king, including some of archaeology’s most recognizable artifacts. The 1922 find sparked a craze for all things ancient Egypt, but that was just the latest wave of “Egyptomania” to wash over the world, according to Bob Brier, a Long Island University senior research fellow and Egyptologist with a particular expertise in mummies.
The phenomenon started in force more than 200 years ago, Brier says, with Napoleon Bonaparte’s 1798 invasion of Egypt, where he defeated a Mamluk army in a battle fought near Cairo, within sight of the pyramids. French rule of the country wouldn’t last long, collapsing after British Admiral Horatio Nelson destroyed the French fleet days later in the Battle of the Nile.
But Napoleon did not go away empty-handed. His gains included the records of more than 100 artists, engineers, and scientists who, as the fighting raged, collected, drew, and documented the natural and manmade wonders of Egypt. The publication of their work in France fed a curiosity that hasn’t faded. According to Brier, it flows largely from three spheres of interest: mummies, the mystery of hieroglyphics, and the allure of a lost civilization, epitomized by Carter’s discovery of Tut’s tomb.
