He looks almost Byzantine or Greek, gazing doe-eyed over the viewer’s left shoulder, his mouth forming a slight pout, like a star-struck lover or perhaps a fan of the races witnessing his favorite charioteer losing control of his horses.
 |
| “Bearded Man, 170-180 A.D.” from the Walters Art Museum collection, object #32.6 |
In reality, he’s the “Bearded Man, 170-180 A.D.,” a Roman-Egyptian whose portrait adorned the sarcophagus sheltering his mummified remains. But the details of who he was and what he was thinking have been lost to time.
But perhaps not for much longer. A microscopic sliver of painted wood could hold the keys to unraveling the first part of this centuries-old mystery. Figuring out what kind of pigment was used (whether it was a natural matter or a synthetic pigment mixed to custom specifications), and the exact materials used to create it, could help scientists unlock his identity.
“Understanding the pigment means better understanding of the provenance of the individual” said Darryl Butt, a Boise State distinguished professor in the Department of Materials Science and Engineering and associate director of the Center for Advanced Energy Studies (CAES). “Where the pigment came from may connect it to a specific area and maybe even a family.”
