Voyage of the obelisk

A new exhibition is revisiting the journey of the ancient Egyptian obelisk from Luxor to the Place de la Concorde in Paris, writes David Tresilian

The ancient Egyptian obelisks that today decorate many European cities, among them Paris and London, were mostly transported during the nineteenth century when the desirability of preserving ancient sites was less well appreciated than it is today and when Egypt’s rulers, not always particularly interested in the country’s heritage, found themselves casting round for suitable gifts to press upon their European neighbours.

As a result, while at the beginning of the nineteenth century only Rome, among European cities, had a significant population of obelisks, most of them having been transported by the Romans in antiquity, by the century’s end London and Paris each boasted particularly fine examples. The London obelisk, carved during the reign of the 18th Dynasty pharaoh Tuthmosis III, was re-erected on the Thames embankment in 1878, and the Paris one, dating from the reign of the 19th Dynasty pharaoh Ramses II, was set up in the more splendid location of the Place de la Concorde in 1836.

New York gained its obelisk in 1881, when the Egyptian khedive, surrendering to arguments that if Paris and London were to have obelisks than New York should have one too, presented the twin of the 18th Dynasty London obelisk to the city. It now stands in New York’s Central Park a short distance away from the Metropolitan Museum of Art.

The idea of presenting obelisks first to European countries and then to the United States appealed to successive Egyptian rulers because these objects, given as gifts to the cities concerned, were as emblematic of Egypt as the Great Pyramids or the Sphinx at Giza and they had the advantage of being considerably more portable.

Cleopatra: Rome and the Magic of Egypt

Dalu Jones visits an intriguing new exhibition investigating the captivating effects that Cleopatra and Ancient Egyptian culture had on the Romans

Cleopatra VII, the last queen of Egypt (69-30 BC), has recently returned to Rome as 
the inspiration for an exhibition entitled Cleopatra: Rome and the Magic of Egypt. Major museums and galleries worldwide have lent almost 200 works of art to this show celebrating a woman whose appeal and influence remain undiminished even now, 2000 years after her death. 

These include the 'Nahman Cleopatra', a marble head (circa 33-30 BC), on show in Italy for the first time. The portrait, which is still in private hands, takes its name from Maurice Nahman (1868-1948), the most famous of Cairo's antique dealers and collectors in pre-Nasser Egypt. 
The 'Nahman Cleopatra' resembles another head dating from the second half of the 1st century BC, from the Vatican Museums, which is also on view here (circa 45 BC), one of the few portraits thought by scholars to really represent the queen. Found in 1784 at the Villa dei Quintilii on the Via Appia, the young woman wears the royal diadem, a broad band of cloth tied around the head (first adopted by Alexander the Great) that came to symbolise Hellenistic kingship.

Photograph: Musei Vaticani

Both heads may be Roman copies, in marble, of the lost, gilded bronze statue of Cleopatra given by Julius Caesar to the Temple of Venus Genetrix, while she was living in Rome from 46 to 44 BC. Another marble head found in Rome, on the Via Labicana, may be a portrait of Cleopatra in her youth, represented in the guise of the goddess Isis and dating from the 2nd or 1st century BC. The likeness of Cleopatra shown on coins does not do her justice. Men found her extremely attractive, although she may not have been a great beauty in the conventional sense but probably a highly intelligent jolie-laide whose allure was derived from her elegant bearing, notable wit, regal status and undoubted political savoir faire.

Representing the queen's illustrious Macedonian ancestry there is the 'Guimet Alexander', a masterpiece of Hellenistic sculpture from the Louvre. Alexander the Great was the founder of Alexandria, where he was reputedly buried by Ptolemy Soter I (circa 367 BC-circa 283 BC), one of his generals, the initiator in 305 BC of the Ptolemaic dynasty that ended with Cleopatra's death in 30 BC. Cleopatra's lovers Julius Caesar (100-44 BC) and Mark Antony (83-30 BC) are also represented, as is Caesarion (47-30 BC), her son by Julius Caesar, who became Ptolemy XV.