Showing posts with label Supreme Council of Antiquities (SCA). Show all posts
Showing posts with label Supreme Council of Antiquities (SCA). Show all posts

Wednesday, April 11, 2012

Wadi Abu Subeira, Egypt: Palaeolithic rock art on the verge of destruction

In 2007 one of the most important recent archaeological discoveries in Egypt were made in Wadi (Chor) Abu Subeira near Aswan: A team led by Adel Kelany of the Supreme Council of Antiquities (SCA) found a stunning assemblage of petroglyphs dating to the Late Palaeolithic era (c. 15-20.000 years ago). Ongoing surveys have shown that the initial find was the tip of the iceberg only, which makes Subeira perhaps the richest place of “Ice-Age” art in North Africa, comparable to the site of Qurta, 50 km to the north. Unfortunately, the Subeira rock art is extremely threatened by modern mining, which lately has proven to be even more widespread than previously thought: A truly unique testimony of mankind’s early art is now on the verge of destruction.


Photo: Per Storemyr
The rock art
15-20.000 years ago the waters of the Nile were much higher than today. The broad Wadi Abu Subeira may have been a small “fjord”, reaching several kilometres into the Eastern Desert: A great habitat for wildlife in the otherwise hyperarid environment and a great place for humans to stay – to fish and hunt – and to access the interior of the desert and perhaps the Red Sea.
The rock art is comparable to the better-known occurrences at Qurta by Kom Ombo, where Dirk Huyge and his Belgian team has recently confirmed the age of this type of rock art: It is definitely belonging to the Late Palaeolithic era, and thus comparable to the great “Ice-Age” art in Europe – especially in the Late Magdalenian period. It is yet entirely unclear whether there is a relationship in terms of long-distance influence and intercultural contact, but, according to Huyge, the Egyptian occurrences clearly “introduce a new set of challenges to archaeological thought”.It seems that it was along this “fjord” that the Late Palaeolithic humans made their art. They pecked many aurochs (wild ox), hartebeest, fish, hippopotami and even a very large, beautifully executed Nubian ibex, which publication is forthcoming. Over the millennia erosion along the slopes of the wadi has probably destroyed many pictures, and most are now found on boulders and slabs. However, some are still in-situ, implying that it is possible to reconstruct site distribution.
This is why it is so important to safeguard the Wadi Abu Subeira rock art and the associated archaeological sites for the future – otherwise we will lose an important place that may help us finding out whether there was in fact contact between North Africa and Europe in the Late Palaeolithic.

Friday, December 2, 2011

Luxor Memnon restoration to go ahead


Project to restore the colossi of Memnon on Luxor’s west bank to go ahead, says Supreme Council of Antiquities

 
By Nevine El-Aref , Thursday 1 Dec 2011


In collaboration with the European archaeological mission, the Supreme Council of Antiquities (SCA) is undertaking a comprehensive project to restore the colossi of Memnon on Luxor’s west bank.


The project aims to return the 19.5 meters tall colossi to their original appearance when the New Kingdom’s King Amenhotep III built them to decorate the façade of his mortuary temple.

SCA secretary-general Mostafa Amin told Ahram Online that the restoration would also return all the missing pieces of the colossi, collapsed during the Roman period, to their original positions.

Amin went on to say that the bodies of both colossi would be consolidated, as well as two Amenhotep III’s statues that were unearthed last year by the European archaeological mission, which has been working at the site for more than ten years.

In 27 BC, a large earthquake reportedly shattered the eastern colossus, collapsing it from the waist up and cracking the lower half. Following its rupture, the remaining lower half of the statue was then reputed to "sing" on various occasions – always within an hour or two of sunrise, usually right at dawn. The sound was most often reported in February or March, but this is probably more a reflection of the tourist season rather than any actual pattern.


Thursday, December 1, 2011

A Coptic city uncovered in Dakhla

The remains of a 4th century city were found at Dakhla oasis

by Nevine El-Aref , Wednesday 30 Nov 2011

During routine excavations at the Ain Al-Sabil area of Dakhla oasis, an Egyptian mission of the Supreme Council of Antiquities (SCA) stumbled on what it believes to be a Coptic settlement dating back to the 4th century AD.

Mostafa Amin, the Secretary General of the SCA, made the announcement, explaining that the newly discovered settlement consists of remains of residential houses and service buildings as well as a large Basilica with distinguished columns and a wooden alter adorned with foliage decoration and icons showing Jesus, the Virgin Mary, angels and saints.

“I am very happy with what the mission has found; because it is the first time this area was explored,” Amin told Ahram Online. He continued that this new discovery not only forms another another archaeological attraction but “will lead us to other settlements that can be dated to different eras as well.”

The Head of Islamic and Coptic Antiquities department, Mohsen Sayed Aly said that excavators also uncovered a number of houses, bronze coins dating to the 3rd and 4th century AD, as well as a collection of clay pots. Aly pointed out that one complete and fully furnished house was found. It consist of a large hall enclosing several small living rooms, a kitchen, an oven and a large staircase.
Excavations are now in full swing, aiming in order to uncover more of the city.

Source: http://english.ahram.org.eg/NewsContent/9/42/28128/Heritage/Coptic/A-Coptic-city-uncovered-in-Dakhla.aspx

Sunday, November 27, 2011

Archaeology meets politics: Spring comes to ancient Egypt


As the country struggles to refashion its government, archaeologists are looking warily towards the future.

23 November 2011


In a secluded stretch of desert about 300 kilometres south of Cairo, hundreds of bodies lie buried in the sand. Wrapped in linen and rolled up in stiff mats made of sticks, they are little more than bones. But their ornate plaited hair styles and simple personal possessions help to reveal details about the individuals in each grave. The bodies date from around 3,300 years ago, when the Pharaoh Akhenaten renounced Egypt's traditional polytheistic religion and moved his capital to remote Amarna, to worship just one god: the Sun disc Aten.

The cemetery offers a window on a unique episode in Egyptian history, a revolution that some see as the birth of monotheism. Barry Kemp, an archaeologist at the University of Cambridge, UK, and director of the Amarna Project, has been working with his colleagues to excavate the skeletons, and says that they are starting to reveal “an alarming picture of a stressful life”. Many Amarnans died young, with retarded growth and signs of multiple injuries. Some young men had marks where their shoulder blades had been pierced, perhaps as part of a brutal ritual.

Kemp can't say much more about the skeletons because he had to flee the site in January, putting his team on flights out of the country and walling up his storehouses as a present-day revolution sent the country into chaos. Although the situation soon calmed — in fact, Amarna did not suffer a single episode of looting — Kemp has spent months waiting for permission to resume excavations. Other teams working in the country tell a similar story. “We've lost a year,” says Frank Rühli, a palaeopathologist from the Centre for Evolutionary Medicine at the University of Zurich, Switzerland, who was scheduled to start work in February on human remains at the pyramids of Saqqara, near Cairo, and in the Valley of the Kings near Luxor.

The block on excavations has been the latest in a series of obstacles for archaeologists working in Egypt — the home of perhaps one-third of the world's antiquities, which reveal a vanished culture in unmatched detail.