Even the ancient Egyptians had paid sick days

How state-supported health care worked in ancient times.

By Anne Austin

We might think of state-supported health care as an innovation of the 20th century, but it’s a much older tradition. In fact, texts from a village dating to Egypt’s New Kingdom period, about 3,100 to 3,600 years ago, suggest that ancient Egypt had a state-supported health-care network designed to ensure that workers making the king’s tomb were productive.

Health care boosted productivity on the royal tombs

The village of Deir el-Medina was built for the workmen who made the royal tombs during the New Kingdom (1550 to 1070 BCE). During this period, kings were buried in the Valley of the Kings in a series of rock-cut tombs, not the enormous pyramids of the past. The village was built close enough to the royal tomb to ensure that workers could hike there on a weekly basis.

These workmen were not what we normally picture when we think about the men who built and decorated ancient Egyptian royal tombs — they were highly skilled craftsmen. The workmen at Deir el-Medina were given a variety of amenities afforded only to those with the craftsmanship and knowledge necessary to work on something as important as the royal tomb.

The village was allotted extra support: The Egyptian state paid them monthly wages in the form of grain and provided them with housing and servants to assist with tasks such as washing laundry, grinding grain and porting water. Their families lived with them in the village, and wives and children could also benefit from these provisions from the state.

Stanford archaeologist leads the first detailed study of human remains at the ancient Egyptian site of Deir el-Medina

By combining an analysis of written artifacts with a study of skeletal remains, Stanford postdoctoral scholar Anne Austin is creating a detailed picture of care and medicine in the ancient world.

By Barbara Wilcox 

Ancient Egyptian workers in a village that's now called Deir el-Medina were beneficiaries of what Stanford Egyptologist Anne Austin calls "the earliest documented governmental health care plan."

The craftsmen who built Egyptian pharaohs' royal tombs across the Nile from the modern city of Luxor worked under grueling conditions, but they could also take a paid sick day or visit a "clinic" for a free checkup.

For decades, Egyptologists have seen evidence of these health care benefits in the well preserved written records from the site, but Austin, a specialist in osteo-archaeology (the study of ancient bones), led the first detailed study of human remains at the site.

A postdoctoral scholar in the Department of History, Austin compared Deir el-Medina's well-known textual artifacts to physical evidence of health and disease to create a newly comprehensive picture of how Egyptian workers lived. Austin is continuing her research during her tenure as a fellow in the Andrew W. Mellon Fellowship of Scholars in the Humanities.

In skeletal remains that she found in the village's cemeteries, Austin saw "evidence for state-subsidized health care among these workers, but also significant occupational stress fueled by pressure from the state to work."

Restored tombs reopen

The tombs of the wife of Ramses III and one of his top officials have been officially inaugurated after their restoration, writes Nevine El-Aref

In a bid to promote tourism to Egypt, which has declined since the 25 January Revolution, Minister of Antiquities Mohamed Ibrahim this week inaugurated two tombs in the Valley of the Queens and Deir Al-Medina on Luxor’s west bank.

The first tomb belongs to queen Tyti, wife of the Pharaoh Ramses III, and the second is that of Inerkhaou, a senior official during the New Kingdom reigns of Ramses III and IV.

The tomb of queen Tyti is located in the Valley of the Queens and is smaller than its counterparts from the later 20th Dynasty.

When found, it was in a poor state of conservation, having been reused in antiquity.

The tomb consists of a corridor that ends with a burial chamber surrounded by side chambers. It is decorated with colourful paintings that follow the same decorative programme used in the tombs of the queen’s son Amenherkhepshef and Ramses II’s son Khaemwaset of painted scenes on white, grey or yellow backgrounds.

The walls of the corridor, burial chamber and side chambers are decorated with scenes depicting the queen worshipping deities protecting her or the canopic chests in the tomb. The most distinguished paintings are those on the front wall of one of the rear chambers featuring Tyti as a young girl with the braided hair of a teenager. On the left wall she is depicted as a middle-aged woman wearing more conservative dress and make-up.

“These kinds of representations are not common in ancient Egyptian art, and the contrast between the young girl and the older woman is striking,” Ibrahim said.

The ceiling of the burial chamber is painted with delicate white stars on a golden background, with the god Anubis depicted on the chamber’s front wall to protect the tomb. On the left side a lion-headed image of the god Nebnery stands in front of the queen, where there is also an image of the squatting youth Herimaat.

An art of drawing

A trail-blazing exhibition at the Louvre in Paris focuses on ancient Egyptian drawing, writes David Tresilian

Now in its final days at the Louvre museum in Paris, but due to reopen at the Musées royaux d’art et d’histoire in Brussels in September, L’Art du contour, le dessin dans l’Egypte ancienne focuses on one of the foundations of art in ancient Egypt, the art of drawing.
Presented in a small temporary exhibition space in the Richelieu wing of the Louvre, the exhibition could almost be overlooked by visitors hurrying through to the museum’s main collections. However, the exhibition’s small size belies its importance, since this is apparently the first time that the subject has been dealt with in a dedicated exhibition, and it has benefitted from the kind of scholarly treatment that perhaps the Louvre almost alone of all international museums is still able to devote to it.

There is an impressive catalogue containing specially commissioned essays on various aspects of ancient Egyptian drawing by recognised specialists. These consider topics such as the formal and technical aspects of ancient Egyptian drawing, as well as the material conditions of its production, including the training, remuneration and professional status of ancient Egyptian artists. The aim has been to explore how western-trained art historians might make sense of ancient Egyptian drawing, the curator, Guillemette Andreu-Lanoe, says in her introduction to the catalogue, before going on to quote the opinion of Giorgio Vasari, the Italian Renaissance artist, for whom drawing was “the father of the arts of architecture, painting and sculpture.”

Luxor: Ancient Egyptian Capital

by Owen Jarus, LiveScience ContributorDate: 25 June 2013

Luxor is a modern-day Egyptian city that lies atop an ancient city that the Greeks named “Thebes” and the ancient Egyptians called “Waset.”

Located in the Nile River about 312 miles (500 kilometers) south of Cairo the World Gazetteer website reports that, as of the 2006 census, Luxor and its environs had a population of more than 450,000 people. The name Luxor “derives from the Arabic al-uksur, ‘the fortifications,’ which in turn was adapted from the Latin castrum,” which refers to a Roman fort built in the area, writes William Murnane in the "Oxford Encyclopedia of Ancient Egypt" (Oxford University Press, 2001).

The ancient city of Luxor served at times as Egypt’s capital and became one of its largest urban centers. “On the East Bank, beneath the modern city of Luxor, lie the remains of an ancient town that from about 1500 to 1000 B.C. was one of the most spectacular in Egypt, with a population of perhaps 50,000,” write archaeologists Kent Weeks and Nigel Hetherington in their book "The Valley of the Kings Site Management Masterplan" (Theban Mapping Project, 2006).

In ancient times, the city was known as home to the god Amun, a deity who became associated with Egyptian royalty. In turn, during Egypt’s “New Kingdom” period between roughly 1550-1050 B.C., most of Egypt’s rulers chose to be buried close to the city in the nearby Valley of the Kings. Other famous sites near the city, which were built or greatly expanded during the New Kingdom period, include Karnak Temple, Luxor Temple, the Valley of the Queens and Queen Hatshepsut’s mortuary temple at Deir al-Bahari.

“Of all the ancient cities, no other city reached the glory of Thebes in supremacy,” writes Egyptologist Rasha Soliman in her book "Old and Middle Kingdom Theban Tombs" (Golden House Publications, 2009). “Thebes is the largest and wealthiest heritage site in the world.”